PROGECT
"TIME IN THE SURFACE"
MATERIALS:
plaster, acrylic, varnish
The biomorphic abstraction dominated by organic forms reminiscent of leaves, branches, or sinuosities, without literal naturalism.
Minimalist relief, a laconic palette (monochrome), and restrained circular geometry emphasize form and texture. The composition functions as a symbol of threshold/transition and also relates to contemporary conceptual approaches in relief sculpture.
bas-relief
100х100 cm.
THE whisper of form inviting one to look into space
"TIME IN THE SURFACE"
In this white silence, there are no random lines. Each one is a trace of wind, water, time, a moment when the whole was divided but did not lose its essence.
The segments, like islands in a gentle sea, exist independently, yet breathe with a single breath. There is no destruction here, only transformation: parts are born from the one, and each part preserves the memory of wholeness.

The bas-relief is like a whisper of form, inviting us to peer into a space where separation is only an illusion.
Conceptual narrative:

"Time on the Surface" is a magnificent high-relief circular sculpture (tondo) that serves as a visual and tactile archive of the passage of time. The composition elegantly combines fluid, aerodynamic curves with deeply textured, cratered cells that mimic the organic erosion of stone by wind, fossilized plant elements, or the soft relief of ancient riverbeds. Completely eschewing color in favor of a pristine, pure matte white, the artwork transforms into a silent monolith that captures and materializes the movement of a clock. This meditative work of art brings an atmosphere of pure architectural serenity, wabi-sabi luxury, and refined contemporary elegance to upscale contemporary spaces.

Visual and Sculptural Impact:

The artwork boasts a substantial overall thickness of 7 cm (2.8 in), with multi-layered relief carvings ranging in depth from 2 to 3 cm (0.8 to 1.2 in). Its circular shape softens the surrounding architecture, while its immaculate white finish allows the entire aesthetic to rely solely on the natural choreography of light and shadow. The stark contrast between the velvety-smooth relief lines and the deeply grained, mineral-like recesses creates an intricate tactile rhythm that changes dramatically depending on the angle of light throughout the day.

Technique and Craftsmanship:

Meticulously crafted by hand through a complex, multi-week sculpting process. The base is a specially designed circular plywood board. The sculpture features an internal, dotted, reinforced structure that easily distributes a 10 kg weight without the risk of warping over time. The smooth, organic relief is created using high-quality polymer compounds, followed by precise hand carving and texturing to achieve distinct, large cells and smooth veining. The piece is then coated with high-strength cement and structural plaster, textured, and painted with matte white water-based pigments. Finished with a high-quality protective water-based acrylic varnish for absolute durability and UV resistance.
Hand-sculpted mixed-material high-relief sculpture (plywood, polymers, plaster, cement, water-based acrylic paints, and varnish)

  • Frame: Unframed. Sculptural, biomorphic edges flow organically into one another, creating a seamless, limitless architectural integration with the wall.

  • Installation: Ready to hang. Equipped with an industrial metal hanging system tested to withstand up to 40 kg (88 lbs), ensuring maximum structural security and a flawless, flush-to-the-wall connection.

  • Authenticity: Signed by the artist on the reverse. Includes a signed certificate of authenticity.
Creativity is what unites us
Creativity is what unites us
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